John Hancorn is artistic director for Homelink’s fundraising concert at Glyndebourne Opera House on Sunday 17 November 2019. Featured performers include Felicity Lott, soprano; Piers Adams, recorder; Sian Edwards, conductor; the Baroque Collective and Baroque Collective Singers; Lewes Sings Gospel; Lewes Youth Band; Chitone.

The event will be MC’d by Steve Coogan and Katie Derham.

Full details here.

John Hancorn conducted the BREMF Singers and the BREMF Community Choir in a sold-out concert in Brighton celebrating European Early Music Day. Repertoire included extracts from Purcell’s Dido and Aeneas and the opening movement from Handel’s Dixit Dominus with the BREMF Players.

The concert was live-streamed across Europe.

Video here. Purcell at 1hr 5mins; Handel at 1hr 20mins

John Hancorn directed the BREMF Singers and Players in a programme of music from Britain, France and the Holy Roman Empire as the finale of the Brighton Early Music Festival 2018.

‘The highest point of this beautifully balanced concert was Purcell’s deeply tragic ‘Dido’s Lament’. Charlston’s delivery was so tender and Hancorn responded by allowing plenty of time for the drama while avoiding self-indulgence.’

Early Music Today featured John Hancorn’s performance of Handel’s ‘Il Trionfo del Tempo e del Disinganno’ in their October 2018 edition. The performance featured soloists Susanna Macrae, Thalie Knights, Clara Kanter and Matus Simko with the Baroque Collective.

‘The performance as a whole was expertly steered through a variety of colours and moods by director John Hancorn and the evening reached a perfect finish in the final aria … bringing a wonderful performance to an emotional end.’

The East Sussex Bach Choir have released a video of John Hancorn discussing Bach’s St Matthew Passion and Mass in B minor here.

Viva Lewes magazine featured an interview with John in their December 2017 edition.

Bach: Christmas Oratorio
BREMF Singers and Players directed by John Hancorn
Sunday 12 November 2017 at St Martin’s Church, Brighton

‘Conductor John Hancorn maintained a brisk pace but never at the expense of the Christmas story’s essential tenderness. Alert and responsive as ever, the BREMF Singers delivered plenty of excitement and agility alongside some very sensitive singing.’

Andrew Connall, Latest Brighton, 15 November 2017

‘John Hancorn conducted with a florid grace which kept the music tight and graceful while allowing the complex interactions of Bach’s melodies to entwine and entice us.’

‘The BREMF Singers are unparalleled in their precision, diction and singing in the original German provided an authentic feeling to the evening. I never fail to be impressed by the quality of the BREMF singers; they provided a superb level of choral singing which adds impressively to any event they are part of. ‘

Eric Page, GScene, 14 November 2017

John Hancorn and Richard Wigmore have launched ‘Sing and Discover’ day workshops for experienced singers, choirs and music lovers – a detailed exploration of the very best baroque choral music, including unique musical insights, historical context, recordings, and lots of singing. Repertoire includes Bach, Handel, Haydn and Purcell. Full details here.

‘…this was far more than a choral society performance, and the choir gave performance which had a great deal of charm with a nice lightness of touch.’

Planet Hugill on Handel Acis and Galatea, Brighton Early Music Festival, BREMF Singers and Players, 7 November 2015

‘… the BREMF Singers and Players who were flawless if not stunning in Purcell’s Ode To St Cecilia. John Hancorn, the director, pulled together a sprightly and authoritative performance with great momentum, perfectly suited to this music. If the solo singers made Purcell’s often florid lines seem effortless, the BREMF chorus was surprisingly powerful, whilst remaining light-footed, clear and crisp.

In Eternal Source of Light Divine and the Utrecht Te Deum the difference in style of the two composers was noticeable, but both pieces were nevertheless delivered with the same panache and lightness of touch.

This was an uplifting finale to the 2014 edition of the increasingly successful Brighton Early Music Festival.’

Terry Walker, The Argus, 10 November 2014